Langdon Winner “Do Artifacts Have Politics?” Daedalus, Vol. 109, No. 1, Modern
Technology: Problem or Opportunity? (Winter,1980), pp. 121-136
“I shall offer
outlines and illustrations of two ways in which artifacts can contain political
properties. First are instances in which the invention, design, or arrangement
of a specific technical device or system becomes a way of settling an issue in
a particular community. Seen in the proper light, examples of this kind are
fairly straightforward and easily understood. Second are cases of what can be
called inherently political technologies, man-made systems that appear to
require, or to be strongly compatible with, particular kinds of political
relationships.”
Taking an
example of a bridge on Long Island, he writes: “In our accustomed way of looking
at things like roads and bridges we see the details of form as innocuous, and
seldom give them a second thought.” (123) Low overpasses in order not to let
buses (associated back then with Black Americans) pass through them, only
private cars with White Americans. “One can point to Baron Haussmann's broad
Parisian thoroughfares, engineered at Louis Napoleon's direction to prevent any
recurrence of street fighting of the kind that took place during the revolution
of 1848. Or one can visit any number of grotesque concrete buildings and huge
plazas constructed on American university campuses during the late 1960s and
early 1970s to defuse student demonstrations.” (124) History of technology is
similar, as new machines and tools were invented and introduced not only to
make the industrial process more effective, but also in order to secure current
regimes and practices of domination.
Takes an
example of a tomato harvesting machine to argue that development of new
technologies is “an ongoing social process in which scientific knowledge,
technological invention, and corporate profit reinforce each other in deeply
entrenched patterns that bear the unmistak able stamp of political and economic
power.” (126)
“The things we
call "technologies" are ways of building order in our world. Many
technical devices and systems important in everyday life contain possibilities
for many different ways of ordering human activity. Consciously or not, deliberately
or inadvertently, societies choose structures for technologies that influence
how people are going to work, communicate, travel, consume, and so forth over a
very long time. In the processes by which structuring decisions are made,
different people are differently situated and possess unequal degrees of power
as well as unequal levels of awareness.” (127) This is totally true for Soviet
history as well. Inefficient industry was instrumental for the preservation of
bureaucracy which could not be challenged by other social groups; hence
inefficient industry was reproduced to the degree of idiocy, whereas efficient
solutions were carefully uprooted. And modelling or even imagining “future”
technologies was a way of symbolic building of a better, more efficient world,
in which Soviet technical intelligentsia hoped to occupy a more prominent
place, replacing bureaucracy.
“Taking the
most obvious example, the atom bomb is an inherently political artifact. As
long as it exists at all, its lethal properties demand that it be controlled by
a centralized, rigidly hierarchical chain of command closed to all influences
that might make its workings unpredictable. The internal social system of the
bomb must be authoritarian; there is no other way.” (131) Winner then develops the argument and claims
that certain artifacts do require certain political and social conditions for
them to emerge; once they emerge, they start reproducing (contribute to reproducing)
of these conditions (131-132).
“Alfred D.
Chandler in The Visible Hand, a monumental study of modern business enterprise,
presents impressive documentation to defend the hypothesis that the
construction and day-to-day operation of many systems of production,
transportation, and communication in the nineteenth and twentieth centuries
require the development of a particular social form – a large-scale centralized,
hierarchical organization administered by highly skilled managers.” (131)
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