Bill Brown (ed.): Things
Brown in his contribution refers to four interesting points:
(a) (new
scholarship should address the question of) how inanimate objects constitute
human subjects, how they move them, how they threaten them, how they facilitate
or threaten their relation to other subjects (p. 7). He later refers to
Benjamin to argue that “subjects may constitute objects, but within Benjamin’s
materialism things have already installed themselves in the human psyche.” (11)
– refers to “Dream Kitsch” and “Several Points on Folk Art.”
(b) Thingness
of things discloses the othering of people (p. 12) – referring to Bruno Latour,
who also “forcefully and repeatedly insisted that ‘things do not exist without
being full of people’ and that considering humans necessarily involves the consideration
of things. The subject/object dialectic itself (with which he simply has no
truck) has obscured patterns of circulation, transference, translation, and
displacement.” (p.12) “Latour has argued that modernity artificially made an
ontological distinction between inanimate objects and human subjects, whereas
in fact the world is full of ‘quasi-object’ and ‘quasi-subject’, terms he
borrows from Michel Serres.” (p. 12) – refers to two works by Latour: “The
Berlin Key or How to Do Words with Things,” in Matter, Materiality and Modern Culture, ed. P. M. Graves-Brown
(London, 2000) and We Have Never Been
Modern.
(c) Refers
to Simmel: “Simmel’s earlier account of the gap between the ‘culture of thigns’
and modernity’s human subject” and “his insistence that the subject’s desire,
and not productive labor, is the source of an object’s value” (p. 13) – refers to
Simmel, “The Future of Our Culture” in Simmel
on Culture (London, 1997). Also mentions that Lukacs, Bloch, Benjamin and
Krakauer complicated Simmel’s analysis.
(d) “Inanimate
objects organize the temporality of the animate world.” (15) – refers to W. J.
T. Mitchell’s contribution in this volume who explored how the discovery of a
new kind of object in the 18th century, the fossil, enablied
romanticism to recognize and to refigure its relation to the mortal limits of
the natural world.
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